In the universe of the pixelmetries, duality finds its most vivid expression. Through the interaction between black and white, light and dark, full and empty, a visual landscape of contrasts and harmonies emerges.
These pieces deploy a visual ballet of light and shadow in a geometric mesh in which each rectangle is a note of a digital score, where movement and stillness intertwine in an endless dance.
Each pixelmetry is more than a composition of pixels; is a study in balance and symmetry, where programming becomes digital choreography. Each black or white pixel is a calculated decision, guided by algorithmic equations that give life to an infinite dance of shapes and colors. Algorithmic equations like this:
s = abs(cos(tan(a-W) * h - a * o - o));
fill(.5 < s ? 0 : W);
This mathematical formula, which encapsulates the essence of the piece, assigns each pixel its chromatic identity based on its position and relationship with the center of the composition. The result is a symphony of contrasts and rhythms, where harmony emerges from the interaction between geometry and perception.
Pixelmetric nº2 (interaction)->
Pixelmetric nº4 (interactive)->
Mathematical poetry in a pixelated cosmos, endless dances of light and darkness.
In the interaction of opposites, the essence of my pixelmetries is revealed.