Rather than functioning as individual agents, letters here operate as compositional units—spatial elements whose arrangement and repetition generate complex, choreographed patterns across the screen.

The project draws from principles of emergent behavior and collective motion, not to simulate physics, but to explore how a typographic system, when animated, can begin to pulse, shift, and breathe as if it were alive.

The reference to concrete poetry is not formal, but structural: it’s about conceiving writing as spatial, as visual material. Here, that material is activated over time—what emerges is not text, but tension, rhythm, accumulation.

Letters become the visible trace of a system in motion. The focus is not on meaning, but on behavior—how structure can generate presence.